Wednesday, March 13, 2013

Game Shows or Why This Generation Isn’t the Only One to Suck (Part 1)


Societies are always falling. The world is always ending. Human culture is always in decay. The darkest times in history are happening right now, at least according to some people. Religious leaders, politicians, kings and cult leaders proclaiming the nadir of human existence have popped up all throughout history. The satirist Juvenal expected Rome to collapse order its own weight during his lifetime, which was centuries before the empire fell. Confucius denounced the centuries of warfare that engulfed his society and created an ideal, based on a utopian past, which the Chinese have been chasing for millennia. Saint Augustine predicted the world would end a thousand years after the death of Christ, a date we passed two thousand years ago.

The point is, we always think that what we have sucks and that what we are doing sucks and that this is the worst example of anything that has ever existed. The grass is generally greener behind us, and if we walk a few steps forward, we'll end up walking off a cliff.

Take television, for example. Deity some really great stuff happening nearly everywhere, from the networks to cable to Netflix, large numbers of people find the time and energy to lament the existence of the worst example of television: reality shows. Honey Boo Boo and the Jersey Shore and Celebrity Diving all suck. And, of course, their existence and their popularity indicate just how shallow and cheap and capitalistic life has become in the 21st century.

These critics are right about a few things. First of all, the shows do suck. By any aesthetic or objective measure, the Bachelorette (or any of the other "real" or "unscripted" dramas on tv) is just bad. The tension of the "dramas" is derived more from melodramatic music cues than any of the relationships or human interactions that one might expect to be the feature of a shoe about "real people."

And the fact that the shows exist at all is indicative of a supreme level of greed on the part of producers and network executives. They're extremely cheap to make. Find a pseudo-celebrity to host, stick a bunch of angry people in front of a camera and hire an editor to work a little overtime and you have a show good enough to anchor MTV's prime time lineup.

And the shows are popular, which obviously indicates that today’s human beings are terrible creatures, who can do nothing but laugh as the dimwitted members of the Amish Mafia and the self-obsessed housewives of wherever are trotted out in front of them. Audiences are either delighting from the exploitation of these poor souls or they are outright idolizing them, either of which is a sufficient reason to call America morally corrupt.

There isn't much to say to counter these criticisms. The shows are a blatant cash grab for executives, has-been celebrities and the former telemarketers who star in them. The least that can be said is that, even though things aren't great and even though things probably won't get any better, it hasn't really ever been great.

Television has generally been horrible, as it appeals to the unthinking least common denominator that is the average American. In fact, there is an entire channel that serves as a testament to the terribleness that persists throughout American television.

Have you ever watched the Game Show Network? If you aren't an unemployed student or nostalgic retiree, probably not. But every one of the shows featured on GSN is a monument to the types of cheap appeals to the amoral common denominator that reality television is accused of being.

These aren't the game shows that we are used to today. There is no regal Bob Barker (or Drew Carey) reminding us to spay and neuter our pets. There is no chance to learn anything about 19th century novelists or sharpen your word skills. It's just more glorification of stupid people.

The recipe to make a good 1970s game show is similar to the 2010 recipe for reality TV. First find a cheap set that can be reused over and over again. Find as many desperate famous people to fill a panel or perform the hosting duties. Then fill the rest of the empty space with guffawing dolts willing to work for the chance of winning a prize.

Have you ever watched Family Feud? Ninety percent of the show is Richard Dawson drunkenly kissing people. That's it. The rest of the time is filled the families shouting out word and phrases that hopefully will match with the popular responses of surveyed Americans. Or you could go on the cheap, like Card Sharks did, and solicit answers from the prisoners of the San Quentin County Penitentiary.

When the celebrity participants aren't making drunken fools of themselves for a paycheck and a few more seconds in the spotlight, the civilian contestants easily take up the slack. Talk about exploiting America's stereotypes. Nearly every one of them is a fantastically long-haired, glazed over hippie-type. It's either that of a bumbling blonde housewife, one of whom thought bananas were orange. Don't you think they served the same role in conversations then as Snooki and The Situation do now? With one part derision, one part mocking humor and a little tinge of disgust.

It is not that television or society or life is terrible right now, it's that it has generally been pretty bad.

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